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Benjamin Labrobe’s drawing for the “Looking glass frame, Presidents’ house.” If the glass used in the Monroe mirrors came from the White House, it may have been fragments from this mirror, which was lost in the fire.
Slavery and Freedom in the White House Collection explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
In the 1960s, First Lady Jacqueline Kennedy oversaw the task of restoring the White House interiors and thus founded the White House Historical Association to enhance the understanding, appreciation, and enjoyment of the Executive Mansion. As a part of our mission, the Association provides financial support for acquisitions, refurbishing projects, and preservation initiatives of the White House, which involves collaboration
Since 1965, the White House Historical Association has been proud to fund the official portraits of our presidents and first ladies, a long-standing tradition of the White House Collection. Recent presidents and first ladies typically select their respective artists before leaving the White House and approve the portraits before their formal presentation to the public and induction into the collection. The
From the beginning of its construction in 1792, until the 1902 renovation that shaped the modern identity and functions of the interior of the White House, the fourteen paintings of this series examine the history of a national icon. Through meticulous research and tireless attention to detail, numerous sources inspired the brush of Peter Waddell to create a vision of the White
President John F. Kennedy and First Lady Jacqueline Kennedy’s advocacy for the arts endures as a vital part of their White House legacy. From 1961 to 1963, the White House became a focal point for the arts and cultural engagement. The Kennedys hosted numerous concerts and performances and infused the Executive Mansion and the country with the same vitality, youth, and id
In 1961, First Lady Jacqueline Kennedy resolved to make the White House a “living museum” by restoring the historic integrity of the public rooms and displaying the very best of American artwork, furniture, and décor. In order to fulfill her vision, Mrs. Kennedy founded the White House Historical Association, a private, non-profit organization created in partnership with the National Park Servi
