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The Butler's Role at a State Dinner with Royal Visitors
Prior to the 1939 visit of the queen and king of England, Eleanor Roosevelt received a State Department memorandum, listing various rules of protocol. Mrs. Roosevelt became concerned about the order in which the Roosevelts, and the queen and king, should be served at the state dinner honoring the royal couple.1"I told Franklin," Mrs. Roosevelt recalled, "that British protocol required
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The White House Usher on the Role of Television
"Largely through television," notes historian William Seale, the White House "is the best known house in the world, the instantly familiar symbol of the Presidency, flashed daily on millions and millions of TV screens everywhere."1J. B. West was Assistant Chief Usher at the White House from 1941 to 1957, and Chief Usher from 1957 to 1969. During the Eisenhower administration, West had an
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White House Visitor Center
In July 2012, the National Park Service’s White House Visitor Center began undergoing a $12.6 million revitalization through a public-private partnership with the White House Historical Association. The Association's donation of $12.5 million for the project and operating endowment helped make this extraordinary public resource possible. David M. Rubenstein's gift of $5 million to the Association for the White House Visitor Center ensures ce
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About Our Books
The White House Historical Association published its first book, The White House: An Historic Guide, in 1962. It was the wish of First Lady Jacqueline Kennedy that such a book be written, and she participated actively in the editing. Now in its 25th edition, it has sold more than 5 million copies to date. Since 1962, our publications program has produced books on
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Digital Library Exhibit
Glamour and Innovation: Ann Lowe
Dressmaker, seamstress, couturier, and, according to the Saturday Evening Post, “Society’s best kept secret,” Ann Lowe became the lead seamstress for a dress shop in Tampa, Florida, saving enough money to open three dress shops in New York City. She specialized in eveningwear, debutante gowns, and day dresses for the social elite. This exhibit was curated by Maegan Jenkins, the in
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Digital Library Exhibit
Glamour and Innovation: Ethel Frankau
Ethel Frankau was director of the Bergdorf Goodman custom salon for nearly sixty years. Frankau, an American, was widely acknowledged as a formidable woman with a deep respect for French culture, which she embedded in her designs, especially Jacqueline Kennedy’s inaugural gown. This exhibit was curated by Maegan Jenkins, the inaugural Digital Exhibits Intern and MA/MS dual degree st
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Digital Library Exhibit
Glamour and Innovation: Frankie Welch
Frankie Welch was one of the first designers to design “across the aisle,” creating gowns and scarves for first ladies Lady Bird Johnson, Pat Nixon, Betty Ford, and Rosalynn Carter. After earning a degree in clothing and design at Furman University in Greenville, South Carolina, Welch relocated with her husband to Virginia, where she taught “clothes coordination” classes at the Universi
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Digital Library Exhibit
Glamour and Innovation: Karen Stark
Karen Stark was the lead designer under the design house of Harvey Berin, a dress manufacturer that stood on 7th Avenue in New York City for nearly fifty years. Along with Nettie Rosenstein, Karen Stark was one of the American designers that prospered after World War II, helping to dispel the myth that French fashion designers were the leaders in
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Digital Library Exhibit
Glamour and Innovation: Mary Matise
Mary Matise designed for Jimmae Manufacturing and designed a wide range of clothing from lavish eveningwear and resort wear to everyday basic dresses and suits for women. This exhibit was curated by Maegan Jenkins, the inaugural Digital Exhibits Intern and MA/MS dual degree student in Costume Studies and Library and Information Sciences at New York University.
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Digital Library Exhibit
Glamour and Innovation: Nettie Rosenstein
Known for her exceptionally tailored designs and her masterful take on the “little black dress,” Nettie Rosenstein learned dressmaking skills at a young age. In 1916, Rosenstein created a dressmaking business out of her home in Harlem, and by the 1920s, she employed over fifty different dressmakers in a new location on East 56th Street and sold dresses wholesale under the Nett
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Digital Library Exhibit
Glamour and Innovation: Sally Milgrim
Sally Milgrim got her start working as a dressmaker for her husband Charles’s suit-making business in the 1910s. By the 1920s, her business proved to be so successful that she began creating custom designs for the Hollywood elite and was eventually approached by Eleanor Roosevelt to design her inaugural gown in 1933. This exhibit was curated by Maegan Jenkins, the in